Theofanidis: Rainbow Body
Vectoral Analysis by Diego Barbosa-Vásquez Theofanidis: Rainbow Body *Remember to participate in the forum if you want to debate any...
Ligeti – Etude 8
Vectoral Analysis by Diego Barbosa-Vásquez Ligeti – Etude 8 *Remember to participate in the forum if you want to debate any point...
Dick – Afterlight
Vectoral Analysis by Diego Barbosa-Vásquez Robert Dick – Afterlight *Remember to participate in the forum if you want to debate any point...
George Crumb – Vox Balaenae
Vectoral Analysis by Diego Barbosa-Vásquez George Crumb – Vox Balaenae *Remember to participate in the forum if you want to debate any...
Ligeti – Lux Aeterna
Vectoral Analysis By Diego Barbosa-Vasquez Ligeti – Lux Aeterna *Remember to participate in the forum if you want to debate any point...
Lutoslawski - Postludes for Orchestra No. 1
Vectoral Analysis by Diego Barbosa-Vásquez Lutoslawski - Postludes for Orchestra No. 1 *Remember to participate in the forum if you want...
Stravinsky: In memoriam Dylan Thomas // Dirge – Canons: Prelude, Postlude
Vectoral Analysis by Diego Barbosa-Vásquez Stravinsky: In memoriam Dylan Thomas / Dirge – Canons: Prelude, Postlude *Remember to...
Copland: 12 Poems of Emily Dickinson // Mov. 4 The World Feels Dusty
Vectoral Analysis by Diego Barbosa-Vásquez Copland: 12 Poems of Emily Dickinson / Mov. 4 The World Feels Dusty *Remember to participate...
Markings at Mahler Scores - Composer requirements or Conductor guidelines?
The markings in the scores are an outstanding challenge in the preparation to conduct the music of Gustav Mahler. Written in German and placed anywhere, these markings challenge not only the music art-aesthetic expertise of conductors, but also the way that conductors build the orchestra sound and performance. An important question about those markings emerged, are those markings composer requirements or conductor guidelines to rehearse the orchestras?
