Barbosa-Vásquez Conducts at Indiana University
Current member of the Doctoral Program in Opera and Orchestra Conducting at the Jacobs School of Music of Indiana University, the...
The Colombian, Diego Barbosa-Vásquez Leads the Opera "Vivaldi's Gloria" at Los Angeles
The young Colombian Opera and Orchestra Conductor is in charge of the opera that will be presented as the closing of the opera summer...
Successful Leadership of Orchestras and/or Opera Companies
If you want to understand how to lead successfully an Orchestra Organization or Opera Company, this post will be interested to you......
Colombian represents Latin-America at Singapore: World Federation of Orchestras - General Assembly 2
Maestro Barbosa-Vásquez will be special guest lecturer at the Annual General Assembly of the European Organization that will held its...
Artistic Models to Develop Orchestras and Opera Companies
Paper to: - www.barbosavasquez.com/academic - Guest Lecturer representing Colombia and LatinAmerica at the General Assembly Singapore -...
Colombian & Latin America at the 11th European Orchestra Festival of EOFed.
From May 10th to 13th, the Colombian “Musical Genius” will be the guest lecturer from Latin America at Bergen-Norway. Version en Español:...
Developing the Orchestra in Each Rehearsal
Paper to: - www.barbosavasquez.com/academic - Lecturer representing Latin América at the 11th European Orchestra Festival of EOFed....
Dynamics Reflections for Baroque Concertos
Research for: - www.barbosavasquez.com/academic - Partial Fulfillment of M.M. in Opera and Orchestra Conducting at APU. Dynamics...
By Zu Media /
The publication describes Maestro Diego Barbosa-Vasquez's Master Degree final recital, where he conducted the APU Symphony Orchestra in a rendition of Tchaikovsky's Symphony No. 5. The publication talks about how the performance culminated in a triumphant conclusion, earning him a standing ovation. . The publication highlights maestro Barbosa-Vasquez’s passionate and dramatic approach to the music that resonated with the audience.
Markings at Mahler Scores - Composer requirements or Conductor guidelines?
The markings in the scores are an outstanding challenge in the preparation to conduct the music of Gustav Mahler. Written in German and placed anywhere, these markings challenge not only the music art-aesthetic expertise of conductors, but also the way that conductors build the orchestra sound and performance. An important question about those markings emerged, are those markings composer requirements or conductor guidelines to rehearse the orchestras?
